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I reworked pruners to put philodendron's DSP in it. It was not easy fitting everything while keeping it readable and not too ugly, the module ended up quite large, but I like this big beetle look. While I was at it, I rewrote the buffer initialization of hellebore and wilt (that was made really poorly, I actually didn't knew how a class constructor works at the time).

I've been taking notes each time I make music lately, making little schematics about how the signal is routed for such and such effect, it's interesting to reflect on all the things you tried during a session. I've learned a lot about granular synthesis, I've been using it at the high level of using big grains to make ambient, without taking time to dig deeper. Microsound, wrote by Curtis Roads is a super thorough ressource which contains a lot of infos on various ways of implementing granular synthesis, as well as some more global ideas on the general concept of time scale, and the porosity between rhythm and pitch.

I released an compilation-album thing with most of the tracks in the 2024 page + new things. It should be available on all platform at some point in the near future.

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